Janet Echelman. Tsunami 1.26, 2011. Sydney, Australia
Tsunami 1.26, an aerial lace installation, was inspired by the 2010 Chile earthquake’s ensuing tsunami and the 1.26-microsecond shortening of the day that resulted from the earthquake’s redistribution of the Earth’s mass. By meditating on these epiphenomena, the work underscores the interdependence of Earth systems and the global community. It asks the viewer to pause and consider the larger fabric of which they are a part. 
My studio generated a 3D model of the tsunami using data from NASA’s Jet Propulsion Laboratory and the NOAA Center for Tsunami Research. I then used software to transform an outline of the model’s higher amplitude area into a sculptural form. My studio created hand-knotted models to achieve the complex shaping of the piece. 
This artwork utilizes Spectra®, a material 15 times stronger than steel by weight. The mesh is knotted by machine in order to withstand winds, but is engineered to reflect the intricacy of handmade lace.

Janet Echelman. Tsunami 1.26, 2011. Sydney, Australia

Tsunami 1.26, an aerial lace installation, was inspired by the 2010 Chile earthquake’s ensuing tsunami and the 1.26-microsecond shortening of the day that resulted from the earthquake’s redistribution of the Earth’s mass. By meditating on these epiphenomena, the work underscores the interdependence of Earth systems and the global community. It asks the viewer to pause and consider the larger fabric of which they are a part.

My studio generated a 3D model of the tsunami using data from NASA’s Jet Propulsion Laboratory and the NOAA Center for Tsunami Research. I then used software to transform an outline of the model’s higher amplitude area into a sculptural form. My studio created hand-knotted models to achieve the complex shaping of the piece.

This artwork utilizes Spectra®, a material 15 times stronger than steel by weight. The mesh is knotted by machine in order to withstand winds, but is engineered to reflect the intricacy of handmade lace.

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